Reviews:
🎹🎵🎤“Lynda D’Amour is one of Boston-area’s most exciting, sought-after cabaret singers, and her debut recording, "Ordinary Fool," shows exactly why, with her buttery alto, crisp attention to lyrics, and a no-nonsense interpretive style that tells it like it is. This is a CD you will want to keep handy whether for a romantic evening, or your own private pity party, as D’Amour takes you on the all-too familiar journey of love’s fables and foibles.” –John Amodeo, Cabaret Scenes Magazine. (Portion of CD Review)
🎹🎵🎤 "I was especially entranced by Ms. D'Amour's ability to handle such a wide variety of song styles with such ease….she presented a flawless rendering of each song. " - Stu Hamstra, Cabaret Hotline Online
🎹🎵🎤 "D’Amour has further distinguished herself...appearing recently in a musical revue directed by Bill Castellino where she stopped the show with a hysterical musical theater send-up, Here Comes The Ballad, (Davis/Vinaver)..." - John Amodeo, Edge magazine
🎹🎵🎤 "Her tribute to Sammy Davis Jr. showed off her impressive vocal range: She can belt. She can purr...one minute, then dig down...for a growly number...she can whisper the sweetest notes you ever heard...If that chameleon voice were not enough, D’Amour is plenty funny, to boot…She’s got it all..." - Beverly Creasey, Theater Mirror
🎹🎵🎤 “D’Amour (and her musical director/pianist Barry Levitt) brought a nice swinging vibe to Irving Berlin’s “Change Partners,” was absolutely lovely on “If I Ruled the World” (Bricusse/Cyril Ornadel) and included a cool, deep register scat on “Lover, Come Back to Me.” Her strength is a sultry, breathy alto on the lower notes, which was never more evident than on the highlight of the set, “What Kind of Fool Am I?”…”-Stephen Hanks, Cabaret Scenes Magazine, Nov 2011 Issue.
🎹🎵🎤“Lynda D’Amour is one of Boston-area’s most exciting, sought-after cabaret singers, and her debut recording, "Ordinary Fool," shows exactly why, with her buttery alto, crisp attention to lyrics, and a no-nonsense interpretive style that tells it like it is. This is a CD you will want to keep handy whether for a romantic evening, or your own private pity party, as D’Amour takes you on the all-too familiar journey of love’s fables and foibles.” –John Amodeo, Cabaret Scenes Magazine. (Portion of CD Review)
🎹🎵🎤 "I was especially entranced by Ms. D'Amour's ability to handle such a wide variety of song styles with such ease….she presented a flawless rendering of each song. " - Stu Hamstra, Cabaret Hotline Online
🎹🎵🎤 "D’Amour has further distinguished herself...appearing recently in a musical revue directed by Bill Castellino where she stopped the show with a hysterical musical theater send-up, Here Comes The Ballad, (Davis/Vinaver)..." - John Amodeo, Edge magazine
🎹🎵🎤 "Her tribute to Sammy Davis Jr. showed off her impressive vocal range: She can belt. She can purr...one minute, then dig down...for a growly number...she can whisper the sweetest notes you ever heard...If that chameleon voice were not enough, D’Amour is plenty funny, to boot…She’s got it all..." - Beverly Creasey, Theater Mirror
🎹🎵🎤 “D’Amour (and her musical director/pianist Barry Levitt) brought a nice swinging vibe to Irving Berlin’s “Change Partners,” was absolutely lovely on “If I Ruled the World” (Bricusse/Cyril Ornadel) and included a cool, deep register scat on “Lover, Come Back to Me.” Her strength is a sultry, breathy alto on the lower notes, which was never more evident than on the highlight of the set, “What Kind of Fool Am I?”…”-Stephen Hanks, Cabaret Scenes Magazine, Nov 2011 Issue.